Konono No. 1 “This band is one of the main exponents of a spectacular style of music which has developed in the suburbs of Kinshasa (DR Congo). The Congolese call it “tradi-modern”, in other words: electrified traditional music. These are musicians who left the bush to settle in the capital and who, in order to go on keep fulfilling their social role and make themselves heard by the ancestors (and, more concretely, by their fellow citizens) despite the high level of urban noise, have had to resort to DIY amplification of their instruments, and to megaphones (conical speakers). This makeshift electrification has provoked a radical mutation of their sound, as it has introduced distortions which they have integrated to their style. […] The band’s line-up includes three electric likembés [thumb pianos] (bass, medium and treble), equipped with hand-made microphones built from magnets salvaged from old car parts, and plugged into amplifiers.” Via womanonfire. [metafilter.com]