nikon

When I attempt to take a photo of the moon, it usually comes out as a featureless white blob, due to being overexposed. Thanks to a tip on Flickr, I discovered that the secret to taking a photo of the moon that doesn’t suck is to use spot metering rather than matrix.

With matrix metering, the camera will use both the dark sky and the bright moon to determine the exposure, which usually ends up overexposing the moon to avoid underexposing everything else. Spot metering lets you use only the moon to determine the exposure, which avoids the usual blown out appearance.

For this shot, I used my Sigma 70-300mm lens with shutter priority. Since I wasn’t using a tripod and this lens doesn’t have VR, I used a shutter speed of 1/250 with ISO 3200.

After using the lens for a few days, I’m very happy with it. For the price, it’s a great lens and a good addition for anyone who wants a higher zoom and macro capabilities. It does take some getting used to, but it’s possible to get some excellent results from it. In macro mode, you can get very sharp images with good bokeh.

Since the lens lacks vibration reduction, if you’re not using a tripod, you’ll have to use a very fast shutter speed, around 1/focal length, to avoid camera shake. I find I get the best results using shutter priority and raising the ISO if necessary. For this shot, I used a shutter speed of 1/320 and ISO 1600 at the maximum aperture, which is 5.6 at 300mm.

The focus can be very slow, so in many cases you’ll probably want to use manual focus. The macro switch can be a bit tricky – it can only be engaged at a focal length of 200mm or greater, and you can’t switch it off with the second extension (used for focus) extended. In most cases, that means you’ll have to switch to manual focus to rotate the focus ring.

Despite those limitations, there probably isn’t another lens that offers the same capabilities for under $200.

When you’re shooting in mixed light, most camera’s automatic white balance can give incorrect or inconsistent results. The most accurate way to get the correct white balance is by measuring it. Most photographers carry a gray card for measuring & setting white balance, but Photojojo has something a lot more convenient: the white balance lens cap.

Instead of carrying around something extra, simply replace your lens cap with the white balance lens cap. Before you start shooting in a new location, measure the light and set the white balance. Then remove the lens cap and shoot normally.

On a D90, press the white balance button and turn the command dial until it shows PRE. release the white balance button and press it again and hold until PRE starts blinking. Set the camera to automatic exposure and snap a picture (which will be solid white/gray). The display will flash GOOD if it was able to successfully capture a reference image. That’s it – you can now shoot normally.

Here are two sample images, taken with automatic white balance and measured white balance, both with no adjustments. The wall is off-white and the lighting is a halogen lamp.

Automatic white balance	Measured white balance

This is why I love the D90. I simply used ‘P’ mode with ISO 3200 to shoot our tree trimming party last night. I really love the lighting, sharpness, and clarity in this shot.

Many more photos here.

The people in my condo really go all out for Christmas, so I walked around and took some photos of the decorations. The D90 still continues to impress and amaze me with its performance at high ISO settings. I simply used Aperture priority with the widest aperture and auto ISO with a maximum of 3200 when I took these shots.

The D90’s video capability also came in handy.